rrible banter favoured by folk bands whose guitarist takes half an hour onstage to retune his guitar. Next up were two fragile looking young girls from Sweden, First Aid Kit, between them they play a guitar, keyboards and multi-stringed scandinavian wash-board and they do this exceptionally well. What was astounding however was the power and clarity of their voices which simply rent the room apart. Their songs make a good sparring partner for Slow Club as they seem rooted in an offbeat sense of the everyday and often quite disconcerting; breakups and breakdowns knowingly observed by children seemed to be an enduring theme. They're touring the UK now and worth tracking down. They've got a mini-albu
m Drunken Trees out on Wichita which only costs a fiver.Slow Club began their set by simply wandering into the room and singing Wild Blue Milk, a great song, in the middle of the audience. Like many of their songs there's stuff about loss and dependency, its funny and intelligent and uses a multitude of surreal touches up against the everyday, and, when it touches on love which they do often its never mawkish. They finish on another great (lost? losing?) love song Christmas TV again embedded amongst the audience rather than up on the stage. In between what comes across is their ability to connect with the daily yearnings and pleasures of life. To be honest i was thoroughly bowled over.
So maybe less about twee world domination, which will happen but not at the hands of Slow Club, who are very decent folk and it comes across.
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